I understand that. It lost me at one point as well.

Cargo (2018) Netflix 5/10

I tend to like this type of movie -- hazardous family journey, and Martin Freeman is easy to like, but to me this was mostly a yawn fest. I wasn't feeling the loving family sentiments the film was trying to convey. And everything else was soft old hat for folks who've already seen the classic zombie films.

GIRL WITH ALL THE GIFTS (2016). My wife loves watching Jack Finch on YOUTUBE with his "Top 5's" and we put this on the NETFLIX cue to check it out. Pretty interesting story and a very good chilling turn by Glenn Close, but once was enough. ***

"The Irishman" (2019) 8/10

I guess if you've seen 1 Scorsese mafia movie you've seen 'em all. Same formula.

That being said, I enjoyed it quite a lot and was entertained throughout the entirety of the 3,5 hours running time. But even with a movie as long as one of the extended Lord of the Rings episodes, the story still didn't manage to tell who Jimmy Hoffa really was. If you didn't know any better you'd think Hoffa was some guy who went to jail and couldn't get a job afterwards. I guess, if you really want to know you'll have to watch the movie "Hoffa" starring Jack Nicholson. And who the hell was the irishman? Was it THAT italian guy or THAT italian guy???

And one last thing. It took me more than a while to get used to the de-aging technology used on Deniro's face in the first hour. He looked like a character taken out of the Final Fantasy movie. He looked like 2011's Captain Haddock without a beard. God... This is what we have to get used to in the future..

"6 Underground" 2/10

A philosophical question. Can a turd be loud?

Yes, yes it can.... If it's pulled out of Michael Bay's ass.

Did you watch the entire film?

I only ask because, good grief, the opening car chase is a long, long, long segment... I actually wondered if it was going to take up the entire film length. And I did not like that choice.

However, after the long chase, it does root it self, just enough, to work. The mix of real stunts with the CG stunts is incredibly seamless, almost perfect. It's impressive.

After being a bit annoyed the first 30 or so minutes (I was watching with quite a few family members, and didn't want bail/interrupt), I started to settle in, and enjoy it for what it was. It was pretty much nonstop action, swearing, vulgarity, one-liners, tongue-in-check sentiment. It's almost more of a test, practice film, like what you could add to a film with a story.

I honestly gave up halfway through. I’ve gotten too old for braindead noisy action. Never gonna be a Bay fan.

If I was by myself, good chance I would have bailed. Heck, I got bored with the extended action sequences in The Hobbit films, and got antsy at moments for the last two Lord of Rings films, so I know the feeling. You would not have liked the rest of 6 Underground. Any sentiment and story was a goo-goo eyed paper mache mask.

However, I should say, I did like the original Bay 'Transformers' film, where the sentiment and story worked for me.

I recently saw "Krampus: The Reckoning," which is overall good for a loose independent sequel, with a lot of good suspense, twists, and turns, as well as a good twist at the end on who the naughty girl actually is, not to give too much of a spoiler. I was overall impressed with that one.

I also saw "Good Tidings," that started off entertaining and interesting, but took a dive in the middle, with a lot of poor, sloppy editing, and a good amount of continuity issues. It ends up okay and entertaining, though. I found it worth a look for one time.

I also saw "All Through The House," a Christmas slasher film that pays tribute to the ones from the 1970s and 1980s, and does an overall good job at it. Those who like the "Silent Night, Deadly Night" series, along with "Terror In Toyland," and the like should enjoy this one as well. ::devil::

The Sonata, 2018. 6/10

Director: Andrew Desmond

https://www.eyeforfilm.co.uk/images/...nata-3_600.jpg


Countdown, 2019. 6/10


Director: Justin Dec

The gallows act II

"High Tension" is a very good, scary, and intense film! So are "Froniter(s)," and "Inside." ::cool::

It Chapter Two

Didn't like it as much as the first installment. But, still enjoyed it.

What'd you think of the 90's TV series?

The only thing I like about that is Tim Curry. But then, I like anything he does.

The lighthouse

Terminator: Dark Fate, 2019. 6/10

Director: Tim Miller





A Dark Place, 2018. 6/10

Director: Simon Fellows


https://encrypted-tbn0.gstatic.com/i...XWVfbMhfLh7S&s

HAUNTED HOSPITAL AKA HEILSTATTEN 2018

Famous youtube vloggers set up camp in a infamous deserted hospital. I just got confused.

Honey Boy, 2019. 7/10

Director: Alma Har'el

https://encrypted-tbn0.gstatic.com/i...D-LDWq9jq9Qg&s

That dude Arnold has up against the wall looks CG. ::big grin::

NIGHT OF THE LIVING DEAD 3D RE-ANIMATION 2012

When "customers" start coming back to life at the mortuary a man has inherited from his father, he gets the crazy idea to bring his dad back to life.

I liked it. A bit odd in humour and style...

The Boat 2018 5/10

A guy on a boat on an ocean.

Zombieland 2 double tap

Countdown

Ready or not

Does "Midsommar" count?

Ravenous, 1999. 9/10

Director: Antonia Bird



https://media1.tenor.com/images/171d...itemid=8461579

As?...

Wyrmwood: Road of the Dead

"Cut Foreskin" 8-9/10



Finally a movie I'd like to write about.


Starring Adam Sandler.

It feels crazy saying this, but if you're a fan of the Pusher trilogy this might be the movie for you.

2 hours and 15 minutes long and already by the 1 hour mark you feel exhausted waching this due to very fast editing skills. You wouldn't believe it, judging by the poster, But durring the opening credits you feel like you've watch 20 minutes of the movie already, cuz the story just jumps right out of the gate and never slows down until the ending credits starts to roll. And Sandler's performance.... well, don't be surprised to see him at the Oscars.

Wow... Biggest surprise and best flick of 2019 for me.

The Safdie brothers are definitely among the ones to watch for in the future and when I'm done writing this shit you bet I'll go straight to watching "Good Time".

See ya!

The Shawshank Redemption Two things:

1) People should develop an above excellent marihuana strain and name it Morgan Freeman's voice.

2) This undisputable masterpiece will tug at your heartstrings - wether you want to or not.

The Sitter 2017 that is a odd film

The Suffering Bible, 2018. 7/10

Director: Davide Pesca

House Of Ravens, 2014. aka P.O.E. Pieces of Eldritch (P.O.E. 3). 7/10

Directors:Francesco Campanini
Ricky Caruso
Domiziano Cristopharo
Alessandro Redaelli
Edo Tagliavini
Mirko Virgili

King Pest was my favorite...



Thou Art the Man – directed by Francesco Campanini
Morella – directed by Ricky Caruso
The Cask of Amontillado – directed by Domiziano Cristopharo
King Pest – directed by Alessandro Redaelli
Shadow – directed by Edo Tagliavini
Never Bet the Devil Your Head – directed by Mirko Virgil

Color Out of Space 6/10

Didn’t feel very Lovecraftian, but Cage did what he’s hired to do nowadays.


The Turning 3/10

Of course they fucked it up. Nobody knows how to do these kind of horror movies anymore, except for Ari Aster and he wasn’t involved with this pathetic piece of shit.

The boy from IT and the old hag did alright tho.

Annon (2018) (Netflix original)
8/10

Real science fiction. In the near future, or alternate reality, all humans are implanted with an a local and Internet connection that records what they see and hear, a virtual reality recording, if you will. Seeing what someone did or did not do is easily accessible. A 'police detective' official (Clive Owen) investigates a series of murders... which hasn't been so difficult in a long time... if you can imagine this type of reality. The story alludes to obvious concerns of totalitarianism and (perhaps unintentional) allusions to 'Judgement Day.

I respect this film's commitment to the science fiction topic it's engage in. That's exactly what I want in most sci-fis. The film has excellent production value, including the special effects and cinematography, which doesn't require anything big or flashy. There is suspense, but it's not the film's forte; and those looking for action, romance and comedy, or even character development, will likely find the film lacking. But for those looking for an intellectual engaging and thought-provoking sci-fi, this film delivers the goods.

The remains

I just saw Netflix's adaptation of Stephen King's "1922," which is overall well done, and covers the story Stephen King wrote overall well. All of the roles were portrayed perfectly by some very good actors, along with a great director and a great editor. There is also a lot of great scenery in excellent picture quality on Netflix. The buildings, vehicles, and clothes were all looking as if they were back in that time as well. Those who enjoyed that story should not be disappointed. ::cool::

I also saw a weird but interesting psychological horror film called "Don't Knock Twice," which is overall intense and interesting. It also has a decent amount of twists and turns on who a real life child killer actually was and who was actually responsible for the hauntings happening in the story, making it appear to be one person, then another, etc. This also has plenty of awesome looking artsy scenes done very well with the props they had. There is also a bit of mind blower at the end... ::danger::

THE REZORT 2015

A young British couple travel to a resort where you can safely zombie hunt on a controlled safari.
A bit jurassic park-like but i enjoyed it.

The Amityville terror